Katana Sofa
In the Katana sofa, Paolo Rizzatto, being the refined and expert designer he is, puts great care in the proportions of the structural elements of the product. In the elliptical leg, every millimeter has been designed and calibrated, as well as the relationship between seating and structure.
Fittings and lines, grafts and joints, everything is designed for the best harmony. The dialogue between the parties, as in architecture, is for the Milanese architect a perfect orchestration.
The sofa refers to the iconic and seductive shapes of the classic Chesterfield, reinterpreted with renewed elegance, and thanks to the gentle curvature of the leg it resolves the connection with the seat and the back. This makes it enveloping and comfortable, its height and width support a relaxed sociability.
The ability and experience of Rizzatto in designing elegant, ironic and precious objects is perfectly summarized by the Katana sofa, which dialogs happily with the other collections of GHIDINI1961, creating endless relationships.
Equilibrium and rigor are the two adjectives that best describe the sofa complete with armchair with generous measures.
Gallery
Technical Features
Structure
Belted seat and multilayered, covered in polyurethane foam at different densities covered with quilted goose down in cotton lining. Backrest structure made of plywood covered with polyurethane rubber of different densities, all covered with a quilted goose down in cotton lining.
Covers
The sofa covers are not removable.
Base
The sofa and armchair is based on the Katana leg. The Katana leg is made of Italian brass, die casted in-house at Ghidini1961. Polished manually, and lacquered with transparent finish to guarantee a longlasting durability.
Finishes and Upholstery
Adamo & Eva
An exquisite quality of Italian-made cotton velvet that is soft, versatile and hard-wearing. A palette of 19 colours comprising striking, traditional and neutral shades. Sourced from Dedar (https://dedar.com)
Bogardine
Yarns of different types and thicknesses create a textural weave and confer a slight matelassé effect to the surface. Soft and consistent to the hand, hardwearing and ideal for heavy duty seating. Sourced from Dedar (https://dedar.com)
Clunis
Wool bouclé creates an attractive and modern texture summed up in an elegant structured plain that plays on the refractive effects of the fibres it is made of. The result is one of the most up-to-date and sought-after designs of the moment. Sourced from TORRI LANA (https://torrilana.it)
Lizza
Sourced from TORRI LANA (https://torrilana.it)
Sinequanon
Panama weave with slightly shot yarns. A special, careful blend of linen and viscose and a new construction which enables a reduction of the textile weight whilst guaranteeing the aesthetic quality, usage and durability, and also offering good value. Sourced from Dedar (https://dedar.com)
Bonsai
Bonsai fabric is an upholstery fabric featuring a classic tabby weave and is mainly used for upholstery of sofas and armchairs, offering an elegant woven look. Sourced from JAB (https://www.jab.de)
Diago
Sourced from TORRI LANA (https://torrilana.it)
Sofi
Warp and weft create a grid of frisé linen and viscose cablé for a rich effect accompanied by a warm colouring. Sourced from TORRI LANA (https://torrilana.it)
Designed by
Paolo Rizzatto
Paolo Rizzatto was born in 1941 in Milan and graduated in Architecture at Politecnico di Milano in 1965.
In his Milanese studio he works as freelance professional in the field of architecture, interior design, and design. In 1978 he founded the company Luceplan with Riccardo Sarfatti.
Custom finishes available upon request, please contact us for more information.